Wednesday, September 2, 2026

Back to School Thoughts for the Kids I Can't Forget: On Mainstreaming, Advocacy, and Courage

 As the school bus horns honk and “My First Day” signs pop up on Instagram, also comes the last whisper of summer fading into autumn. My days of bleary-eyed bus rides and locker combinations are nearly two decades behind me. 

 

But as the air gets crisp and the store shelves fill with backpacks and colored pencils, a part of me will always be riding that little bus with the kids every back-to-school commercial forgot to mention. 

 

The ones hoping this year’s IEP will actually be implemented. 

 

The ones who are thinking about how to drink as little water as possible between 7am and 3pm because teaching yet another aide the bathroom transfer technique is spiritually exhausting. 

 

The ones hoping there’s just one lunch table their wheelchairs can fit underneath. 

 

To those kids, it’s you I cannot forget. Because in my eyes, it’s always been you who goes through the school doors with the deepest of courage.

 

When you have a disability, the word “courage” often comes with baggage. No one, including myself, wants to be seen as courageous for simply existing. But in our rightful effort to repel “inspiration porn,” we frequently overlook a real and powerful kind of courage—the kind required to stay afloat in an educational system that too often questions our right to be in the room. 

 

As one of the few visibly disabled students to ever pass through my school district, I can say with certainty that even almost four decades after the Americans with Disabilities Act, navigating the mainstream public school system is akin to being dropped in the jungle. 

 

My middle and high school years were the most difficult of my life, and I don’t think I have ever fully processed the sheer force of will it took to get “the free and appropriate public education” to which I was (allegedly) entitled. 

 

In the end it wasn’t free, because it cost me a great deal. 

 

I paid with a sinking stomach when I met the fourth aide in a year to whom I was expected to entrust my body.

 

I paid with school buses that arrived late or never came at all, while knowing such a disservice would cause outrage if inflicted upon my non-disabled peers.

 

I paid with the loneliness of being recognized by all but truly known by very few.

 

With the still echoing voice of the teacher who told me “I could do without a notetaker if I tried harder” while my weary hands throbbed.

 

With scavenger hunts for missing accessible desks, comically bad fire safety plans, and the secret shame of spending many early mornings hiding in the elevator instead of going to the cafeteria because sitting alone simply felt too painful. 

 

I still have sweaty, unsettled dreams about getting lost in those hallways, dropping my textbooks all over my footplate, and being wildly anxious that my third attempt to coax my stubborn neurogenic bladder into action will make me late for history class again. 

 

I’m often asked if it was worth it, this hardest thing I’ve ever done. 

 

This thing that still hovers on the jittery edges of my mind and owes me a million apologies I will likely never get. 

 

And every year, as the leaves fall and the glue sticks go on sale, somehow, I always arrive at “yes.” 

 

Riding in the back of the affectionately nicknamed “short bus,” I quickly learned a few times over that life is not always easy, kind, or fair.

 

Being the little girl who had to advocate before she even fully understood what advocating meant took so much from me.

 

And even so, on my long and trying journey, that little girl whose orthodontia-clad smile I can still see so clearly was given an embarrassment of riches. 

 

Among them is the friend I met when I boarded the school bus on her 13th birthday, my first day of junior high. The friend I told myself would be my reason to face that school again the next day, if I could think of no others. The one who will turn 34 this week and still teaches me about facing my fears. 

 

Among them are my fellow disabled students who refused to let the world render them inferior and taught me to do the same.

 

Among them are the quiet heroes who saw me when I felt invisible.

 

Among them is seventh grade me, who improbably remains the bravest version of myself. 

 

I hope she knows that I look for her every time I need strength to try again.

 

 

To every disabled kid going back to school, I see you and I love you more than you will ever know. I hope in some small way, I have paved a smoother path for you and I’m sorry for all the mountains you still must climb.

 

You will have moments of feeling utterly alone, but the people who see your worth will reveal themselves. Most importantly, the days ahead will reveal you. 

 

To your parents and caregivers along for the ride, I see you and I love you just the same. 

 

The meetings, the meticulously crafted “about me” book you made to train the latest in a string of aides and nurses, the perfect sneakers you found to fit over your kid’s AFOs for picture day, those are the things I will think of when asked about the shape of love. 

 

That kind of love is the trail of breadcrumbs I still follow when I’m lost in the woods. 

 

Speaking of being lost in the woods, I’d love to say I have the fabled “transition to adulthood” figured out. 

 

But the truth is, it’s another maze of acronyms, weird case managers, and vague signage… which brings me to another truth. 

 

Here, there, and everywhere, we will make it through together, just as we always have.



Me with my wheelchair decorated like an accessible school bus


Monday, April 6, 2026

With Back to the Dark Ages, Writer, Producer, and Director Anna Pakman Uses Wisdom and Wit to Uplift Forgotten Voices of Long COVID

 In recognition of the annual Easterseals Disability Film Challenge, I caught up with my friend and fellow advocate Anna Pakman to learn more about her latest contribution to this celebration of disabled talent in the media. Her newest five-minute masterpiece, Back to the Dark Ages, uses humor and heart to spotlight the often-overlooked struggles of those living with Long COVID and the isolation they endure in a society eager to “return to normal” despite the continued risk posed by this deadly virus.

 

The short film follows Christina (Makenzie Morgan Gomez), a former Broadway dancer and marathoner now thrust into an isolated and profoundly changed existence due to Long COVID, which leaves her fatigued, short of breath, and struggling with her mobility. When Christina accidentally summons a medieval ghost named Wilhelmina the Philanderer (Mary von Aue), she finds not only unexpected camaraderie, but also many eerie parallels between their respective experiences. Like Christina and millions of others affected by COVID, Wilhelmina has also lived through a “plague” and had her pleas for caution dismissed and ridiculed. The two women find solace in each other and lament that our society in 2026 has allowed history to repeat itself by failing to learn from the past. 

 

Sadly, many of the pandemic-era warnings Wilhelmena issued to others centuries ago are the very same ones issued by Christina and fellow COVID Long-Haulers in modern-day New York City. Much like Wilhelmena’s doubting neighbors, those around Christina ignore her calls for a more health-conscious society, challenging the audience to consider how much progress has actually been made since the so-called “Dark Ages”. 

 

In her latest work, writer, director and producer Pakman ultimately strives to challenge the narrative that the COVID-19 pandemic is “over” and uplift the voices of millions whose health and livelihoods have been forever altered by both the disease and by society’s apathy towards those coping with its reverberating consequences. The New York City-based filmmaker who lives with complications of a COVID infection herself, has an ever-stronger commitment to public health and hopes her new project will inspire the same in others. 

 

Born with cerebral palsy, Pakman has always sought to highlight the disability experience on screen. Yet the COVID-19 pandemic and its role as a mass-disabling event have given her advocacy a new and powerful angle—a mission to prevent COVID-19 and build a more inclusive society for those newly disabled in the aftermath of infection. Much like her characters, Pakman is urging those who engage with her to take precautions to reduce their risk of preventable illness. A passionate voice for commonsense harm -reduction measures like masking and air filtration, she hopes that her audiences will see these approaches not as fossils from a bygone pandemic, but as necessary tools to thrive in a world forever changed by COVID. 

 

Pakman deftly delivers a serious and urgent message while fully embracing the “dramedy” theme of this year’s challenge. She shares that it was a delight to “leverage her sense of humor” while also providing a platform for the Long COVID stories that are frequently excluded from the media, even within disability spaces. As in past years, COVID-consciousness is central to every aspect of Pakman’s set. In addition to physical precautions such as masking, advanced air filtration, and testing protocols, Pakman champions a culture of inclusion and encourages her team to speak up about their access needs. 

 

The film boasts diverse talent in front of and behind the camera, including DP John Floresca of The Daily Show, who uses a wheelchair, and several chronically ill team members who “breathed authenticity” into Christina’s character. Pakman also cites the value of BIPOC and LGBTQ+ representation across the cast and crew and calls everyone who contributed “super skilled.” 

 

When asked what comes next for disability representation in the media, she praises the increased number of disabled actors cast in disabled roles yet adds that there is much more work to do. Says Pakman, “We need more stories where disabled people exist as full, complex humans—funny, flawed, messy, ambitious—without their disability being the only thing that defines them.” 

 

In an era that has opened dialogue about disability with hits such as HBO Max’s The Pitt and TLC’s Jay and Pamela, she hopes that the conversation continues, both in society at large and within the disability community itself. While non-disabled people have much to learn from disabled talent, we disabled folks have just as much to learn from each other. 

 

Pakman calls on us all to resist viewing the disability experience as a “monolith,” beckoning us toward a future that “makes space for different ways of living, coping, and existing” even among those with the same diagnosis. Particularly, she hopes for strengthened bonds and increased cooperation between COVID conscious individuals and the larger disability community. 

 

In the meantime, she will be hard at work pouring her talent into more projects that “shift how disability is seen and understood.” Perhaps if we commit to true inclusion and solidarity with the same zeal, the “the Dark Ages” will at last, be behind us.

 

Watch Anna’s film here: Back to the Dark Ages

 

Two women sitting on a bench in NYC


 

 

Friday, December 19, 2025

Cripples At Christmas 2025

 Merry Christmas, Happy Hanukkah, Happy Kwanzaa, and a Joyous New Year to all! Cripples at Christmas by Kathleen is back for 2025! Enjoy!


The image description is below each drawing.


A Barbie with a blue wheelchair and a Barbie with a pink wheelchair sit in boxes by the Christmas tree. Speech bubbles say “OMG! We totally went to crip camp together!” and “Wait, we totally had the same PT too.”

1.    On the First Day of Christmas…

 


 It Turns Out the Two Wheelchair Barbies Unwrapped by the Same Kid Knew Each Other After All…

 

ID: A Barbie with a blue wheelchair and a Barbie with a pink wheelchair sit in boxes by the Christmas tree. Speech bubbles say “OMG! We totally went to crip camp together!” and “Wait, we totally had the same PT too.”



A red-nosed reindeer with askew eyes who is surrounded by “Ow!” speech bubbles replies, “Oh, for fuck’s sake” in response to an out of view person saying, “But have you tried yoga?”




2.  On the Second Day of Christmas…

 

Rudolph the Red-Nosed Pain Deer Had a Much Different Following Than His Famous Counterpart…

 

ID: A red-nosed reindeer with askew eyes who is surrounded by “Ow!” speech bubbles replies, “Oh, for fuck’s sake” in response to an out of view person saying, “But have you tried yoga?”



Santa stands near a wheelchair user asking for two new front wheels. He says, “Sorry, kid!” “They are 6 Months Backordered.” And “You Should Have Stuck With The Front Teeth…”


 

 3. On the Third Day of Christmas…


All She Wants for Christmas Is Her Two Front Wheels. It’s Not That Simple…


ID: Santa stands near a wheelchair user asking for two new front wheels. He says, “Sorry, kid!” “They are 6 Months Backordered.” And “You Should Have Stuck With The Front Teeth…”



Day Four 2025


4.    On the Fourth Day of Christmas…

 

The Realistic Muscle Atrophy Button on the “All Grown Up CP Doll” Under the Tree Made Johnny’s Mom Uncomfortable…

 

ID: Wrapped gifts sit beside a boxed doll in a wheelchair beneath a Christmas tree. The box reads, “Watch me wither in real time!”




Four birds in Santa hats are saying, “This hold music is diabolical!”

5.   On the Fifth Day of Christmas…

 

The Four Calling Birds Were in Fact Calling Social Security For 6+ Hours

 

 

ID: Four birds in Santa hats are saying, “This hold music is diabolical!” 




A group of stick figures, both ambulatory and wheelchair users, are singing, “Do You Fear What I Fear?” to the tune of “Do You Hear What I Hear?”

6.   On the Sixth Day of Christmas…

 

The Disability-Affirming Anxiety Chorus Had a Smash Hit At Christmas


ID: A group of stick figures, both ambulatory and wheelchair users, are singing, “Do You Fear What I Fear?” to the tune of “Do You Hear What I Hear?”

 




A trio of disabled musicians, two in wheelchairs and one with forearm crutches, hold a microphone and a drum onstage beneath candy cane style letters that read “North Polio.”



7.  On the Seventh Day of Christmas…

 

The Aging Disabled Rock Band Was a Hit at Santa’s Christmas Concert


ID: A trio of disabled musicians, two in wheelchairs and one with forearm crutches, hold a microphone and a drum onstage beneath candy cane style letters that read “North Polio.”

 


A stick figure beside Mr. Potato Head says, “But you’re so smiley!” Mr. Potato Head, wearing a huge, literally plastic smile, replies, “Yeah, because the smile is literally stuck on my face.”


 8.  On the Eighth Day of Christmas…

 

None of the Other North Pole Toys Understood How Mr. Potato Head Could Possibly Have Chronic Pain

 

ID: A stick figure beside Mr. Potato Head says, “But you’re so smiley!” Mr. Potato Head, wearing a huge, literally plastic smile, replies, “Yeah, because the smile is literally stuck on my face.”

 


A wheelchair user tells Santa, “All I Want for Christmas Is a Reliable Home Health Aide.” A flummoxed Santa replies, “Listen, kid. Even I have limits…”

9.  On the Ninth Day of Christmas…

 

For the First Time Ever, Santa Felt that He Couldn’t Grant Any Wish…

 

ID: A wheelchair user tells Santa, “All I Want for Christmas Is a Reliable Home Health Aide.” A flummoxed Santa replies, “Listen, kid. Even I have limits…”



A brown labubu style doll says, “Yes, it is lapoopoo. Go ahead and laugh at the guy with inflammatory bowel disease. Labubu is my asshole cousin.”


10.    On the Tenth Day of Christmas…

 

It Wasn’t Easy Being the Chronically Ill Relative of Christmas’s Hottest Toy…

 

ID: A brown labubu style doll says, “Yes, it is lapoopoo. Go ahead and laugh at the guy with inflammatory bowel disease. Labubu is my asshole cousin.”

 


ID: A wheelchair user sits at the foot of a Christmas tree with the star on the floor. He says, “Not the fucking reacher again…I’ll leave the star on the floor.”

11.     On the Eleventh Day of Christmas…

 

If One More OT (Occupational Therapist) Suggested a Reacher to Hang a Shining Star Upon the Highest Bough…



 ID: A wheelchair user sits at the foot of a Christmas tree with the star on the floor. He says, “Not the fucking reacher again…I’ll leave the star on the floor.” 


Two wheelchair users sit at a bus stop illuminated by a streetlight and a Christmas tree. Overhead, “From now on our troubles will be miles away…” drifts from a shop radio


12.    On the Twelfth Day of Christmas…

 

The Only Thing Miles Away This Christmas Was Paratransit…

 

ID: Two wheelchair users sit at a bus stop illuminated by a streetlight and a Christmas tree. Overhead, “From now on our troubles will be miles away…” drifts from a shop radio